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	<title>Hilights &#187; News</title>
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		<title>beit beirut</title>
		<link>https://hilights.net/news/beit-beirut/</link>
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		<pubDate>Fri, 09 Dec 2016 08:00:33 +0000</pubDate>
		<dc:creator><![CDATA[Hilights admin]]></dc:creator>
		
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		<description><![CDATA[throughout 1924-1936, a residential complex was built to dominate Sodeco’s intersection. barakat building was composed of two separate asymmetrical structures, each three floors, and linked on the street corner by a common ground floor and entrance. the void between its two structures, veiled by delicately perched arches, brought forth a street view to every room [&#8230;]]]></description>
				<content:encoded><![CDATA[throughout 1924-1936, a residential complex was built to dominate Sodeco’s intersection. barakat building was composed of two separate asymmetrical structures, each three floors, and linked on the street corner by a common ground floor and entrance. the void between its two structures, veiled by delicately perched arches, brought forth a street view to every room in the six 500sqm apartments. its interior was as desirable as its architecture. art nouveau claimed the hand painted ceilings; art deco flooded the floors with colored patterns of marble tiles. <br/><br/>

15 years of civil war landed the complex on the green line that separated east and west beirut. today it stands as the city’s first multifaceted cultural center, museum, and memorial space – beit beirut.
<br/><br/>
upon entering the building, you’ll notice a central space where the existing structure meets its extension. a versatile lighting layout was created here for the constantly changing exhibitions. track projectors rotating around a circular skylight’s center provide accent &#038; ambient lighting. subtle lighting signals across the floor lead to a dominant ramp circulating vertically, linking the old structures to the new, and every floor in between.
<br/><br/>
architect youssef haidar paid tribute to the atypical void by keeping the extension disconnected. the result, a centered atrium and skylight peering into the ground floor entrance first, then basement’s theater below. with a narrow beam projector on the third floor directed towards the atrium, we enhanced a moonlight effect.
<br/><br/>
each floor serves as an episode of the city’s history; walking through them leaves the visitor emotionally aware of its transition. our expertise came with rendering these different emotions favored, and providing adequate lighting for the different functions.
<br/><br/>
the first floor serves as a memorial, untouched where snipers had positioned their bunkers, means to trigger an uneasy sentiment. our challenge was to subtly dramatize this experience with no false ceiling. we manipulated the raised floors to house linear luminaires, and with warm lighting, washed every scarred wall and bunker. other areas include dimmed incandescent bulbs hanging over remnants of kitchen sinks and toilet seats.
<br/><br/>
half restored, half preserved, a gradual warmth in atmosphere is realized upon arriving on the second floor. beams that run along the ceiling helped create two scenes using indirect light and track projectors; the first related to the exhibition and the second meant to accentuate what has been preserved in the building.
with a false ceiling, skylights embedded with directed linear lighting give the impression of sunlight seeping through the third floor, while illuminating the rooftop’s terrace situated above.
<br/><br/>
lastly, with 3D mapping, projections of animated scenes will highlight the façade’s architectural features and accommodate various future events.]]></content:encoded>
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		<title>basilica di siponto</title>
		<link>https://hilights.net/news/basilica-di-siponto/</link>
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		<pubDate>Mon, 02 May 2016 10:45:25 +0000</pubDate>
		<dc:creator><![CDATA[Hilights admin]]></dc:creator>
		
		<guid isPermaLink="false">http://hilights.net/?post_type=news&#038;p=1095</guid>
		<description><![CDATA[the sculpture titled ‘basilica di siponto’, constructed by italian artist edoardo tresoldi, is located in the archaeological park of siponto in puglia, italy. it occupies the vast space as a light and transparent volume, resurrecting the archaeological remains of a 13th century christian basilica. despite its sheer appearance, the installation contains layers of mesh metal that intersect and overlap to [&#8230;]]]></description>
				<content:encoded><![CDATA[the sculpture titled ‘basilica di siponto’, constructed by italian artist edoardo tresoldi, is located in the archaeological park of siponto in puglia, italy. it occupies the vast space as a light and transparent volume, resurrecting the archaeological remains of a 13th century christian basilica. 
despite its sheer appearance, the installation contains layers of mesh metal that intersect and overlap to form cavernous archways, soaring columns, and a romanesque roof. 
during the day, rays of sunlight slip through the structure, allowing it to become a 3D illusion. the required serene ambience is provided at night through the use of soft up-lights &#8211; spotlights incrusted in the ground, emitting light upwards. lit intensely are the archaeological grounds surrounding the structure, leaving it standing as a grand architectural phantom.
the artist completed his structure within five months’ time.
]]></content:encoded>
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		<title>bioluminescent creatures that light up the ocean</title>
		<link>https://hilights.net/news/bioluminescent-creatures-that-light-up-the-ocean/</link>
		<comments>https://hilights.net/news/bioluminescent-creatures-that-light-up-the-ocean/#comments</comments>
		<pubDate>Mon, 02 May 2016 10:55:37 +0000</pubDate>
		<dc:creator><![CDATA[Hilights admin]]></dc:creator>
		
		<guid isPermaLink="false">http://hilights.net/?post_type=news&#038;p=1039</guid>
		<description><![CDATA[bioluminescence describes a living organism that produces and emits light. about 90% of deep sea life has this capability. tiny organs called “photophores” produce the light that these creatures generate. 1- clusterwink snail • its spiral shells could glow like dim blue-green light bulbs. • it produces light when tapped or found by other creatures [&#8230;]]]></description>
				<content:encoded><![CDATA[bioluminescence describes a living organism that produces and emits light. about 90% of deep sea life has this capability. tiny organs called “photophores” produce the light that these creatures generate.

</br></br>
1- <strong>clusterwink snail</strong>
</br>
• its spiral shells could glow like dim blue-green light bulbs.</br>
• it produces light when tapped or found by other creatures that are likely to attack.
</br>
• its activity is described as “Hinea Brasiliana”.
</br>
• although its glow attracts predators, it exposes them to their predators as well.
</br></br>
2- <strong>abraliopsis squid</strong>
</br>
• it has small light organs on the underside of its body for camouflage. 
</br>
• it uses this illumination to blend in with the sky, hiding its silhouette from predators watching from below.
</br></br>
3- <strong>tomopteris</strong></br>
• this sea worm is one of the few creatures that make yellow light.
</br>
• if disturbed, it can let loose glowing sparks from foot-like appendages called “parapodia”.
</br>
• it is thought that this mode is to distract predators.
</br></br>
4. <strong>deiopea comb jelly</strong></br>
• comb jellies aren’t true jellyfish, but an entirely different phylum. and unlike jellyfish, they swim mouth-forward, gulping down their victims.</br>
• Comb-jelly’s blue or blue-green luminescence isn&#8217;t fully understood. it&#8217;s thought to be defensive light, in brilliant cascading waves, and can even eject sparkling smoke screens when under a threat.

]]></content:encoded>
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		<title>LED technology</title>
		<link>https://hilights.net/news/1030/</link>
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		<pubDate>Mon, 02 May 2016 10:55:28 +0000</pubDate>
		<dc:creator><![CDATA[Hilights admin]]></dc:creator>
		
		<guid isPermaLink="false">http://hilights.net/?post_type=news&#038;p=1030</guid>
		<description><![CDATA[in recent years, LED has been constantly advocated as being the high energy efficient and lifelong lamp. a comparison of the led lamps to compact fluorescent (both revolutionary energy efficient lamps) of equal lumens package, shows that the annual electrical operating costs will be decreased by almost 2.5 times by switching to led. although there [&#8230;]]]></description>
				<content:encoded><![CDATA[in recent years, LED has been constantly advocated as being the high energy efficient and lifelong lamp. 
a comparison of the led lamps to compact fluorescent (both revolutionary energy efficient lamps) of equal lumens package, shows that the annual electrical operating costs will be decreased by almost 2.5 times by switching to led. 
</br></br>
although there has been several positive comparative studies that promote led lamps, one needs to consider the below before labeling it as an environmentally friendly light source.
</br></br>
heat sinks used with LEDs are designed to absorb and disperse excess heat away from the LED diode and into the heat sink. 
too much heat will damage the LED phosphor, resulting in lower light output, changes in color and or a significant decrease in life expectancy. 
for a LED lamp to be more energy efficient you need to dissipate the heat properly by making the heat sinks bigger (more aluminum).
however, looking closer at the constituents of the aluminum material, it shows that 80% of it is virgin aluminum, and only 20% is recycled! 
as well, aluminum processing creates a range of waste products, the most significant being mercury emission, which is solid airborne elementary mercury release. in fact, the production of one tonne of aluminum leads on average to 16.5 tonnes of greenhouse gas emissions.
the energy intensity required to produce a tonne of aluminum is 14,289 kWh.
</br></br>
LED modules require a driver to operate. till this date, there is no program of recycling the electronics of the LEDs. 
many LED drivers exhibit poor power factor and/or poor harmonic power factor. this comes from low cost driver design. poor power factor results in added electrical system losses.
</br></br>
the quality of the white light (having high CRI values) is inversely proportional to the efficacy (lumens per watt) of the source, thus higher efficacy means having a poorer quality of light.
</br></br>
LED light does have an abundance of blue light wavelengths. 
there are many findings by the international dark-sky association (IDA) that show that light sources rich in blue wavelengths brighten the night sky more than any other color.
they also suppress the secretion of melatonin, a hormone that influences circadian rhythms (natural body cycles). this has many harmful effects on the human health and wildlife. 
</br></br>
all things considered, one should be very selective with the quality of LED products they select to avoid having the above negative aspects.
]]></content:encoded>
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		<title>auroras</title>
		<link>https://hilights.net/news/auroras/</link>
		<comments>https://hilights.net/news/auroras/#comments</comments>
		<pubDate>Mon, 02 May 2016 10:55:41 +0000</pubDate>
		<dc:creator><![CDATA[Hilights admin]]></dc:creator>
		
		<guid isPermaLink="false">http://hilights.net/?post_type=news&#038;p=1018</guid>
		<description><![CDATA[named after the roman goddess of dawn, the aurora is a peculiar and unpredictable display of light in the nocturnal sky. auroras are a striking sign that sun and earth are connected by more than sunlight. they indicate that this celestial connection is electric; the sun provides the auroral energy, but its particles come from [&#8230;]]]></description>
				<content:encoded><![CDATA[named after the roman goddess of dawn, the aurora is a peculiar and unpredictable display of light in the nocturnal sky. auroras are a striking sign that sun and earth are connected by more than sunlight. they indicate that this celestial connection is electric; the sun provides the auroral energy, but its particles come from the peripherals of earth. auroras are the outcome of collisions between rapid-moving electrons from the sun with oxygen and nitrogen found in the upper atmosphere of earth. while usually a milky greenish color, auroras can also show red, blue, violet, pink, and white. their color is dependent  on which gas &#8211; oxygen or nitrogen &#8211; is being excited by the electrons, and on how excited it becomes. the color also depends upon the speed of the electrons, and the energy they have at the time of their collisions. 

various cultures react differently to auroras. the impassive viewer would see colorful, fine hairlines of light ruffling in the night sky. while a sheer spiritual would perceive a rather mystical, heavenly  imagery. an ancient chinese folklore recognized cultural symbols; great dragons or serpents in the skies. some native american tribes pictured spirits carrying lanterns as they sought the revenants, while eskimos conceive playful souls. in norway, the aurora is to be looked upon with awe prohibiting any action. 

to each his own perception, interpretation and beliefs. however, no one can deny that light &#8211; no matter its source &#8211; is the most vivid, sublime form of beauty solely ought to be cherished.
]]></content:encoded>
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		<title>landscape workshop</title>
		<link>https://hilights.net/news/workshops-landscape/</link>
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		<pubDate>Tue, 01 Mar 2016 08:00:56 +0000</pubDate>
		<dc:creator><![CDATA[Hilights admin]]></dc:creator>
		
		<guid isPermaLink="false">http://hilights.net/?post_type=news&#038;p=958</guid>
		<description><![CDATA[at Hilights we invest tremendously in the new science of lighting technology and its design tools. we hold interactive workshop sessions where we all ‘play with light’ and familiarise ourselves more with lighting fixtures and their mechanisms, lighting effects, lighting systems and so forth. one of our workshops was held in a tree plantation field where we studied [&#8230;]]]></description>
				<content:encoded><![CDATA[at Hilights we invest tremendously in the new science of lighting technology and its design tools. we hold interactive workshop sessions where we all ‘play with light’ and familiarise ourselves more with lighting fixtures and their mechanisms, lighting effects, lighting systems and so forth.
one of our workshops was held in a tree plantation field where we studied the effect of varying light intensities, beam optics, color temperatures and so forth on the different tree shapes (columnar, conical, oval, spreading trees, etc), tree sizes and colors of their leaves. we also looked into the different light effects achieved by varying the positions of the lighting fixtures with respect to the tree elements. as well, considering the light effects produced if we choose to light certain features of a specific tree.
this was a great and beneficial experience that helped us better select the combination of lighting tools for a given tree in our landscape project designs.]]></content:encoded>
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		<title>lighting facts</title>
		<link>https://hilights.net/news/lighting-facts-2/</link>
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		<pubDate>Tue, 01 Mar 2016 04:46:38 +0000</pubDate>
		<dc:creator><![CDATA[Hilights admin]]></dc:creator>
		
		<guid isPermaLink="false">http://hilights.net/?post_type=news&#038;p=941</guid>
		<description><![CDATA[niagara falls was first lit more than 130 years ago, to allow visitors to enjoy its beauty even at night. niagara falls was first electrically lit in 1879, using lights with illumination equivalent to 32,000 candles. today, the lights at the falls are equivalent to 250 million candles – an increase matched only by the [&#8230;]]]></description>
				<content:encoded><![CDATA[niagara falls was first lit more than 130 years ago, to allow visitors to enjoy its beauty even at night. niagara falls was first electrically lit in 1879, using lights with illumination equivalent to 32,000 candles. today, the lights at the falls are equivalent to 250 million candles – an increase matched only by the touristy tackiness of nearby clifton hill.]]></content:encoded>
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		<title>light pollution</title>
		<link>https://hilights.net/news/light-pollution/</link>
		<comments>https://hilights.net/news/light-pollution/#comments</comments>
		<pubDate>Tue, 01 Mar 2016 08:00:09 +0000</pubDate>
		<dc:creator><![CDATA[Hilights admin]]></dc:creator>
		
		<guid isPermaLink="false">http://hilights.net/?post_type=news&#038;p=937</guid>
		<description><![CDATA[more than a hundred years ago, you were able to walk outside at night and see thousands of stars across the night sky. with artificial lights now washing out our starry skies, more than half of the world’s population found living in cities has never experienced the beauty of pristinely dark skies. how do we [&#8230;]]]></description>
				<content:encoded><![CDATA[more than a hundred years ago, you were able to walk outside at night and see thousands of stars across the night sky. with artificial lights now washing out our starry skies, more than half of the world’s population found living in cities has never experienced the beauty of pristinely dark skies. how do we explain the importance of what they’ve lost to light pollution? how can we make them aware that light pollution is a concern on many fronts: safety, energy conservation, cost, health, and effects on wildlife? finally, how do we convince them that it’s worthwhile to take even small steps, to help fix this problem?
glare, light trespass, and skyglow are three main types of light pollution that pose a serious threat in particular to nocturnal wildlife, having negative effects on plant and animal physiology. with recognition to adverse health effects, many species, especially humans, are dependent on natural body cycles called circadian rhythms and the production of melatonin, which are regulated by light and dark (e.g., day and night). when humans are exposed to light while sleeping, melatonin production can be suppressed. this can cause sleep disorders and other health problems such as worker fatigue, headaches, stress, increased anxiety, and some forms of obesity due to lack of sleep. the important thing is that light pollution can be reduced relatively easily by only using light when and where it is needed, by shielding lights properly, by using energy efficient bulbs, by only using the amount that is needed, and by using bulbs with appropriate spectral power distributions for the task at hand.
]]></content:encoded>
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		<title>the wind portal</title>
		<link>https://hilights.net/news/the-wind-portal/</link>
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		<pubDate>Tue, 01 Mar 2016 04:44:16 +0000</pubDate>
		<dc:creator><![CDATA[Hilights admin]]></dc:creator>
		
		<guid isPermaLink="false">http://hilights.net/?post_type=news&#038;p=932</guid>
		<description><![CDATA[when lebanese based designer najla el zein teamed up with our very own maurice asso, the two flexed their expertise and gave birth to a unique experience for every visitor to V&#038;A’s museum that fall of 2013. el zein sought to heighten one’s senses while transitioning from the museum’s existing spaces, to what served as [&#8230;]]]></description>
				<content:encoded><![CDATA[when lebanese based designer najla el zein teamed up with our very own maurice asso, the two flexed their expertise and gave birth to a unique experience for every visitor to V&#038;A’s museum that fall of 2013. 

el zein sought to heighten one’s senses while transitioning from the museum’s existing spaces, to what served as her inspiration &#8211; its newfound extension, the Daylit Gallery.

this temporary gate was a blend of various materials and systems. composed of 5,000 hand-folded paper windmills, these windmills were clipped together by hand-sculpted wooden joints. correspondingly, the joints were attached to the vertical tubes with the use of 3-D printed clips. 

a study carried out by asso allowed the integration of wind through small holes found along the tubes. when, where, and at what speed the tubes circulated wind was controlled by electronic signals. a separate system controlled a play of light, where brightening and dimming was hand in hand with what seemed to be spontaneous movements by the windmills.

the result, despite a staggering 8 meters in height, the wind portal stood delicately inviting and whimsical. 

each paper whirled independently; all the while it beautifully belonged to a breathing body. having allowed visitors to become aware of their senses, the art installation was praised as “one of the must-see art pieces” found at 2013’s london design festival.]]></content:encoded>
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		<title>tsu restaurant</title>
		<link>https://hilights.net/news/tsu-restaurant/</link>
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		<pubDate>Mon, 01 Feb 2016 08:00:49 +0000</pubDate>
		<dc:creator><![CDATA[Hilights admin]]></dc:creator>
		
		<guid isPermaLink="false">http://hilights.net/?post_type=news&#038;p=879</guid>
		<description><![CDATA[in “tsu” restaurant, a mixture of ambient and accent lighting is hidden in a detail where the wood and gypsum meet. these groove fixtures, serve to subtly accentuate the tables. with the use of soft lens diffusers, the artistic wall is lit. fixtures along the walls help in the circulation of the restaurant – highlighting [&#8230;]]]></description>
				<content:encoded><![CDATA[in “tsu” restaurant, a mixture of ambient and accent lighting is hidden in a detail where the wood and gypsum meet. these groove fixtures, serve to subtly accentuate the tables. with the use of soft lens diffusers, the artistic wall is lit. fixtures along the walls help in the circulation of the restaurant – highlighting the way for customers to the seating atstsrea. 
the sushi bar has delicate slim cylindrical tube fixtures suspended from above.
as for the terrace, a minimalistic projector was skillfully used in different mounting details to light the entire space. it can be found mounted on the glass-structured frame, hidden in the main tree, or in the periphery greenery at various heights to meet the respectable heights of the tables.
]]></content:encoded>
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